Movement was the message on the spring runways, with designers leaning into drama through sashes, streamers, trains, and most notably fringe.

This season, embellishment wasn’t about excess for its own sake, but about texture in motion. At Bottega Veneta, Louise Trotter delivered a more sculptural interpretation, with recycled fiberglass tops fanning out like sea urchins rigid yet fluid as they moved, Diotima offered a softer counterpoint. Meanwhile, at Chanel, Matthieu Blazy introduced a feather-light approach, with delicate embellishments that floated rather than swayed. Across the board, designers embraced tactile details that came alive with every step, proving that spring fashion is less about static silhouettes and more about clothes designed to move.